
Goodbye, Dragon Inn
Filled with expertly timed sight gags, Goodbye, Dragon Inn is Tsai Ming-liang’s rueful backwards glance at the disappearance of the filmgoing culture of his youth—and one of the seminal films of the 21st century.
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Filled with expertly timed sight gags, Goodbye, Dragon Inn is Tsai Ming-liang’s rueful backwards glance at the disappearance of the filmgoing culture of his youth—and one of the seminal films of the 21st century.

Set in 1992 against the backdrop of Chile’s post-Pinochet “economic miracle,” The Meltdown follows nine-year-old Inés during a stay at an Andean ski resort, where she befriends Hanna, a rebellious German teenage athlete.

Groundbreaking German director F. W. Murnau all but invented the horror film for the modern era with this unnerving—and unofficial—adaptation of Bram Stoker’s novel Dracula. 35mm with live piano accompaniment by Makia Matsumura.

This unsettling, eccentric spin on the vampire story integrates uncanny puppet effects with its live-action storytelling for a tale written in 1839.

Widely considered one of the scariest films ever made, The Exorcist has shocked and fascinated generations of viewers.

Melding the immense—and wildly different—talents of Tobe Hooper (The Texas Chainsaw Massacre) and Steven Spielberg (who co-wrote and produced), this haunted-house blockbuster is the ultimate suburban nightmare.

When The Shining was first released in 1980, most critics were generally baffled or negative, unable to understand Stanley Kubrick’s visionary approach to the horror genre. Kubrick responded to the critiques by editing a shorter version with less slack for the European market. Join us for this rare opportunity to see the International Version on the big screen, preceded by a conversation with Steadicam inventor Garrett Brown and archivist Michael Chaiken.

With remarkable performances by Jack Nicholson and Shelley Duvall, iconic set design, and groundbreaking Steadicam photography, Kubrick’s masterpiece of transcendent horror adapts Stephen King’s novel about Jack Torrance, an alcoholic writer driven mad while working as the caretaker of the cavernous Colorado hotel the Overlook over the course of one isolated winter.

The Stone Center’s Diaspora Festival of Black & Independent Film returns for another powerful celebration of cinema, storytelling, and voices from across the African diaspora. Since 2004, the festival has brought audiences together for compelling films, engaging conversations, and thought-provoking dialogue with filmmakers, scholars, and our community. 🎬 Join us for Screening Five of the Stone Center’s Diaspora Festival of Black & Independent Film! 📅 Thursday, Nov. 5 ⏰ 6:30 p.m. 📍 Sonja Haynes Stone Center 🎥 A must-see film ✨ Free & open to all Experience another evening of powerful cin…

A Clockwork Orange, which was rated X upon release, remains shocking, bleak, and grimly funny.

This harrowing, intimate drama stars Jane Alexander, in an Oscar-nominated performance, as a California wife and mother struggling to hold her family together after the unthinkable happens. We are pleased to present this underseen masterpiece with director Lynne Littman in person.

Join us for a screening of two Sloan supported films, After Yang + Verse, with directors Kogonada and Noam Argov in person.

John Voight’s wannabe gigolo Joe Buck leaves Texas and winds up hustling on 42nd Street, bonding with the blighted block’s genius loci, Dustin Hoffman’s tubercular petty thief Ratzo Rizzo.

Stanley Kubrick and pulp-fiction legend Jim Thompson co-wrote this darkly comic thriller about a racetrack heist gone awry.

James Gray’s exquisitely mounted drama of New York immigrant lives at the turn of the last century forgoes period piece grandstanding in favor of finely etched authenticity. Building to an emotional crescendo of romantic sacrifice, The Immigrant is a hypnotic story of a woman freeing herself from subjugation as the country around her is still coming into focus.

A jewellike masterpiece of film noir, blacklisted director and writer Abraham Polonsky’s classic is a pure dose of moral fatalism, starring the great John Garfield as an unscrupulous Wall Street lawyer who has no qualms about getting into business with a mobster.

With Raging Bull, Scorsese turned the boxing movie on its head, forgoing every cliché to create an indelible work of art.

The Stone Center’s Diaspora Festival of Black & Independent Film returns for another powerful celebration of cinema, storytelling, and voices from across the African diaspora. Since 2004, the festival has brought audiences together for compelling films, engaging conversations, and thought-provoking dialogue with filmmakers, scholars, and our community. ESEUSEU: THE ETERNAL SONG Dir.: Zaya Benazzo, Maurizio Benazzo |Kenya, United States | Doc | 61 MIN Land: Olosho le Maa (Kenya) The Eternal Song: Eseuseu opens a portal into the ancestral wisdom and Indigenous traditions of the Olosho le Maa…

MoMI presents a sneak preview screening of Paper Tiger with James Gray in person

Bob Fosse rightly won the Best Director Oscar for his shattering musical set in Berlin on the eve of Hitler’s rise to power.

One of the great American melodramas of the 1950s, this CinemaScope adaptation of James Jones’s novel builds to a frenetic carnival climax that is among Minnelli’s finest achievements.

Friedkin’s breakthrough won Best Picture and four other Oscars, including Gene Hackman for Best Actor.

Stanley Kubrick reinvents the nuclear suspense thriller, then in vogue, as an absurdist black comedy in this brilliant evocation of cold war paranoia.

In this hilarious mix of romantic comedy, slapstick, and suspense, Ball and Arnaz—at the time the two most popular performers in the nation—play Tacy and Nicky (of course), an engaged couple who purchase a trailer so they can journey the country and play at domesticity before tying the knot.
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